ジャンプコミックス 最新10 Jan. 5th, 2026 発売

Jump Comics vol.10 Jan. 5th, 2026 Release * Release date in Japan. Availability may vary by region.

AMERICA

“Kagurabachi” NY Event Report Part 2! Takeru Hokazono Q&A Released!!

UPDATE :

A special stage event for “Kagurabachi” was held at Anime NYC, featuring a Q&A session. Behind-the-scenes stories and exclusive anecdotes from the production process were revealed during the Q&A, which is now available to all!

Here are the 22 Q&A questions from the special stage at Anime NYC!!

When designing Chihiro, were there other versions before the final design?
I decided on Chihiro’s design right away. There were no major changes from the initial design to the final design.
Your style is very impressive, full of energy, shading, and momentum. How did you hone your visual expression skills?
I read a variety of manga, and was particularly influenced by “NARUTO.” I studied not only Japanese manga but also watched many foreign works such as Western films, and I worked hard to hone my expressive skills simply by drawing manga relentlessly.
What was the inspiration for the abilities of the enchanted blades, such as Tobimune’s bird-themed ability and Cloud Gouger’s cloud-themed ability? I think the contrast between Enten’s goldfish and Chihiro is absolutely adorable.
I have always thought that the goldfish is a motif that can look cool if drawn well and wanted to one day include it in one of my works, so I included it in “Kagurabachi.” For Tobimune and Cloud Gouger, I wanted something that would look cool, and I built ideas by imagining the visuals when they fight Chihiro.
Are there any characters that you were surprised to see become really popular?
Soya.
Are there any characters you’re looking forward to depicting more in the story of “Kagurabachi,” or who you’d like to have play a more prominent role?
That would be Shiba. I feel bad that I haven’t been able to make much use of him yet. And Hiyuki!
In the early stages of creating “Kagurabachi,” what did you do to create a story that would differentiate it from other serialized works in Weekly Shonen Jump?
The use of color. For example, in “NARUTO,” I think Naruto’s yellow hair color and orange clothing are quite striking. So, for “Kagurabachi,” I considered a central color scheme for the work and decided on black as the main color and combined it with red and white.
How do you come up with the character names in “Kagurabachi?”
I value the sound of the words when I read them aloud. I’m conscious of matching the character’s personality with the sound of their name.
Which battle scene did you enjoy drawing the most so far?
The battle between Chihiro and Sojo.
Among all the chapters and scenes you’ve drawn so far, which ones are your particular favorites?
There’s the battle between Chihiro and Sojo that I mentioned earlier, but I also like the episode where Chihiro and Hakuri fight Kyora.
In creating “Kagurabachi,” which part in particular (of existing parts) were you most interested in readers’ reactions?
That would also be the battle between Chihiro and Sojo. However, while I thought it looked cool when I drew it, I was worried about how the readers would react to it.
How do you feel about all the love from your fans around the world?
I am absolutely overjoyed!
When writing your manuscript, how do you go about drawing your work?
I draw using an LCD tablet.
How long does it usually take you to draw one episode?
It takes me quite a bit of time.
The first six days of the seven-day weekly series timeframe is for the storyboards. Then I draw it within about 24 hours.
Are there any foreign films or American TV shows or other works produced in the U.S. that you particularly like?
I like “Captain America: The Winter Soldier.” Sojo’s design may have been influenced by the Winter Soldier a little.
Are you a fan of Tarantino films?
Yes! I love them!
What character is depicted in your portrait?
It’s supposed to be a bird, but even I sometimes wonder what it is (laughs).
How do you feel about having your manga serialized in Weekly Shonen Jump?
I am honored to have my own series now in a magazine that has serialized so many masterpieces.
I feel that the depiction of landscapes in “Kagurabachi’” is also wonderful. From them, one can sense a bit of the atmosphere of Katsuhiro Otomo’s works. Were you also influenced by Otomo?
Yes. When I ask my assistants to handle backgrounds, I sometimes show them “AKIRA” comics and say, “I’d like them drawn like this.”
How do you work with your assistants?
We work fully remote.
Could you tell us about the live drawing you’re currently working on?
It turned out simpler than I’d thought it would. Samura is a character with a complex inner life, so I gave him a slightly troubled, melancholy look.
What is your favorite food you have eaten in New York?
I had a bagel with salmon that was really good!
Will New York bagels ever appear in “Kagurabachi?”
Maybe they will. You never know (laughs).

A video of the event is also available!

The event also had live drawing sessions and special exhibitions!
Check out the details in the first installment of our report!!

[Report Part 1]
“Kagurabachi” slashes its way into the U.S.! The New York event report is here!
https://kagurabachi.jp/en/world/01/

No. 3

酌揺

“Kumeyuri”

斉廷戦争時、漆羽洋児が契約していた妖刀。他の5本の妖刀同様、戦後毘灼に奪われた。纏う玄力は遊女を象る。広範囲に幻覚を引き起こす、周囲の物体を操るなど、意識や空間を支配するかのような能力を有する。 An enchanted blade contracted by Yoji Uruha during the Seitei War. Like the other five enchanted blades, it was stolen by the Hishaku after the war. Its spirit energy takes the form of a courtesan. It has the ability to cause hallucinations over a wide area, manipulate surrounding objects, and seem to control consciousness and space.

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